Two days ago, I sat down and planned my entire dissertation. This plan did not go into which sources I would analyse and where, but the general structure of my argument. Continue reading
This song became the anthem of the Women of the Waterfront. I have listened to it on repeat all day and, whilst it’s not about the Mersey, it may as well be! It’s a good job historians went all postmodern as I am very emotionally invested in my project. Don’t worry, I know I need to acknowledge my subjectivity and I will do so in my dissertation. However, right now it is 8:30pm on a rainy July evening and I want to revel in it. The lyrics are great, the song is great, the Women of the Waterfront were (still are) great. Continue reading
In the last two weeks I have carried out my first ever interviews as a historian. I have read many books on oral history theory but no amount of reading could have prepared me for how I felt when I sat face-to-face with the people who had trusted me to write the history of their life. Continue reading
I have officially entered dissertation mode. (Reminder: my research is focused upon producing an emotional history of the lockout on Liverpool’s docks 1995-1998.) I am scrolling through ‘The Dockers Archive’ – an amazing example of why historians should pay more attention to preserving websites- to try to create a timeline of events before I delve into interviews. Continue reading
Ever since reading Andrew Popp’s ‘The Broken Cotton Speculator’ I have been keen to use the approach of microhistory and I recently got my chance. I took the moment Robbie Fowler lifted his Liverpool top to reveal a t-shirt with a message of support for 500 sacked dock workers in a European Cup Winners Cup match on the 20th March 1997 as my focal point. I wanted to move this between multiple contexts to demonstrate that the moment had a number of meanings to different groups in society. Although I understood what went into the top and its meanings, structuring this essay was extremely difficult.